Defining picture stories, essays and packages
Al Jazeera’s September photo essay of child amputees in Syria gave me a new perspective on the traumas caused by Syria’s ongoing war. I’d seen photos of unrest in the region before, but seeing a child with a missing leg gave me a new understanding of the suffering and plight of the 20 million people in the country.
Presenting a story through photography communicates a different — often deeper — understanding of person, place, event or narrative than can be expressed through written or spoken word. Photos, unlike text, video or maps, have the potential to show an exact representation of an exact moment, like: how a meal looks after it’s been prepared; what an officer is writing after an arrest; how much damage was done after an earthquake.
Photo storytelling is different from a picture portfolio or collection. It’s not a random collection of photos, or a display using albums from Flickr or Instagram. In a photo narrative, the storyteller is presenting a finite number of pictures around a theme or an event to communicate what happened define a situation or show details about characters. Photo-driven stories evoke a deeper understanding of scenes and details — the color of a person’s car; the scene of a crime; emotions written on a person’s face.
In journalism, photo storytelling gives a visual complement to often mundane text; in entices a second look at a story. Take a look at any news website, whether it’s ABC News, Al Jazeera English or even Time, and you’ll likely see a picture with a story headline. Pick up a newspaper and the pages are peppered with pictures. Click on a news link and results are the same: a story with either video or photo.
According to Ohio University’s Terry Eiler, a pioneer in photojournalism and former photographer for National Geographic, there are three ways of telling stories online through pictures: a photo essay, photo package or photo story.
A photo essay is a collection of pictures with an overall topic or theme. The pictures need not be of the same person or event, but they should string together to form a “big picture”.
Photo essays are used to cover events like natural disasters, to show vastness or variety, or to compare and contrast photos.
In a photo essay, both narrative and pictures drive the story; the pictures support what’s in the text, but a person can understand the topic without having to read text or captions. Pictures are placed throughout text or together in a gallery, usually as a slideshow.
For example, Reporter Mark Stratton of the BBC used pictures between paragraphs in a story about Russia’s ethnic communities. Stratton wrote of his travels in Russia, while using photos to display the diversity in looks, dress and music of different people in the country.
Photo essays are often used to show how extensive an event is — how much damage was done, how much effort something takes, how people are coping.
For example, Time’s Gaza Digs Out essay shows what Gazans faced after Israel’s Summer 2014 offensive. The photos show post-war Gazans making sense of their changed lives in school, home and on the streets.
Online photo essays are reminiscent of print presentation in use of different types frame perspectives. For example, feature print stories use photos of different sizes and types of shots (wide, medium, tight) to explain how pictures are interrelated.
While most online essays disregard size, they can use a variety of shots to show detail. Such was the case of Oregonlive’s Oregon Zoo babies essay. The gallery includes wide, medium and tight shots of elephants and other animals at the zoo.
Print news, sports and feature articles, as in the case of Heartland Magazine’s Funky Chickens piece, often show hierarchy in importance by displaying a larger, wide picture and smaller, tight pictures as details.
Photo packages are the sophisticated cousin of essays: they take photo storytelling to another by requiring supplementary text. A person needs more explanation to fully understand what the storyteller is trying to say.
Such is the case of Mother Jones’ reporting on the last abortion clinic in Mississippi. The article includes an audio slide show and paragraphs explaining why so many protesters are outside Jackson Women’s Health Organization. A person simply viewing the slideshow wouldn’t know an important detail: the clinic is the last in the state performing abortions, and state lawmakers are trying to close its doors.
Another example is The Guardian’s article about ex-pats who call Afghanistan home. A person viewing the pictures wouldn’t explicitly know the writer talking about a community of people who’ve fallen in love with the country.
Photos in a package can’t stand alone, since a viewer needs more details about their significance in a story.
A photo story is about one person, place or situation. It’s the most intimate of the aforementioned photo storytelling methods because it means the photographer is focusing on one character or scene, and letting viewers live through the photos.
Unlike essays, a story doesn’t usually include multiple places or characters. Typically, it will focus the edit on one place character that serves as the connective theme in the entire photo presentation.
Like essays or packages, they can be embedded in text or placed in a slideshow, but their intimacy allow them to stand alone, too.
For example, The Guardian did a simple photo story about an Elmo impersonator who performs in New York City’s Times Square. The pictures show how a man named Jorge makes a living by dressing as Elmo and taking pictures with tourists.
And, The Washington Post published an immersive story about the life of a rural Missouri farmer, with pictures detailing hard work and devotion to his small farm.
Some stories show a process. For example, in March 2013 the Chicago Tribune produced a picture explainer about the production process of how marshmallow peeps. This photo story has a beginning, middle and end, which are identifiable characteristics of pictures stories.
Meg Theno, senior photo editor at the Chicago Tribune, says building a photo story doesn’t mean you “treat it like a scrapbook.”
“If you’re going to put a picture gallery together, think about like you’re writing a story, you don’t write a paragraph four times,” she said.
Personal Narrative- My Passion for Photography Essay
668 Words3 Pages
In times, we often see things, but we don't really capture what is beyond it. In some cases, there are people who are artistic and are prone to see what other's cannot visualize. Every individual has a talent which can be expressed and processed differently. Something you see can mean entirely divergent things to someone else;for example, some may see thing's that may seem simple, but in the eyes of an artist, it can be perceived with a whole new definition, dimension, and a potentially new discovery. As a photographer, my view of the world, can be skewed towards looking at everyday objects as potential art, but it wasn't always like that.
To begin with, photography appeared to me as something entertaining a simple step in which…show more content…
Each week I would strive to get the best comment of criticism and the best photo of the week. Everyday we were intellectually taught about the different principles of photography; for me it wasn’t a hassle to learn it; it was more of an excitement a new adventure.
As I became increasingly fascinated with photography, a burning passion became to increase inside of me. The need to take photographs was captivating; not only was it for a grade, but an escape I used to drown my feelings. Photography was now becoming a way of expressing myself. Excitement rushed through my veins as the teacher would announce my name for the best photo of the week; an unforgettable feeling that would fulfill my ambition and made me feel virtuoso. After the end of the first semester, I began to feel as if a transformation begun inside of me. A transformation that began as a passion and turned into an obsession. Everywhere I saw I could see all the plain and ordinary things or objects of everyday life, but suddenly they became a whole new world; a spellbinding sensation that would make me fathom the double meaning of life. For example, hands are not much of importance to a person with no artistic view, but a photographer may view hands as aging, a sign of unity, caring, loving, or cry for help.
Determination is the key to fame or an accomplished goal. As stated, winning photo of the week was an enormous accomplishment for me being allowed to have